Monthly Archives: November 2017

Give the gift of Corey Mesler this year

All books can be ordered signed or inscribed here: https://www.burkesbooks.com/advSearchResults.php?action=browse&category_id=213

Talk: A Novel in Dialogue

 

“Talk is a marvelous look at the contemporary culture, riddled with lovely asides and its fair share of jokes, almost every one of which is as affectionate and engaging as a joke can be.  And you’ll be surprised how sexy a book made out of dialogue can be.  It’s a wonderful, funny, touching story.  Buy it and read it and you’ll be glad you did.”

Frederick Barthelme, author of Moon Deluxe and Waveland

 

 

We Are Billion-Year-Old Carbon

 

“If this was music, it’d be a slippery, jazzy ‘Green Onions’ with a sitar break played by Dr. Hunter S. Thompson, using the edge of his dictionary for a pick.”

Marshall Chapman, author of Sweet Little Rock and Roller

 

 

 

Following Richard Brautigan:

 

“Corey Mesler has summoned up all the sad lost innocence and wry humor of the best of Brautigan. It’s a wistful, haunting novel that makes you laugh out loud, too.’

Thomas Dyja, author of Meet John Trow and The Moon in Our Hands

 

 

Listen: 29 Short Conversations

 

“A virtuoso performance! Realism, monster stories, sex stories, love stories, ghost stories, myths and legends, comedy both understated and openly absurdist: in a literary atmosphere that fetishizes blandness and sameness, such a broad range of ambition and accomplishment is a brave and astonishing act. Pure fun from beginning to end.”

Pinckney Benedict, author of Dogs of God

 

 

The Ballad Of The Two Tom Mores

“Fast-paced and funny, ripe with literary references, wry snappy humor and surprising turns of phrase, Corey Mesler’s The Ballad of The Two Tom Mores pulls the reader inexorably along.  In the fictional town of Queneau, Arkansas, where people are named Ham, West Acres and Violin, and teenage vixens roam the streets; there exists a salaciously sexy labyrinth of characters that even Faulkner would have been proud to create.   Mesler’s humorous ballad ends with a surprising twist.  You will emerge slightly tweaked- and better for it.”

Suzanne Kingsbury, author of The Summer Fletcher Greel Loved Me

Notes Toward the Story and Other Stories:

 

 

“Corey Mesler’s stories give shimmer and depth to the most outlandish and most commonplace of experiences. By turns piercingly funny and sneakily heartrending, Notes Toward the Story and Other Stories touches the real corners of life while also showing, with great tenderness, the way we seek to elevate ourselves, our condition, the everydayness of our everyday lives, to a level of epic grandeur. And Mesler shows us how the effort itself—the sincerity of it, the yearning behind it—becomes the grandest thing of all.”

 

Megan Abbott, author of Bury Me Deep and  The End of Everything

 

 

 

Before the Great Troubling:

 

“’My father’s death is a small box,’ Corey Mesler writes in a beautiful poem with that title:

‘In it you will not find his ashes.

Instead look to the stars whose dust

is swept and swept again

over the horizon like the wash of waves.’

His poems, too, are small boxes—compressed, cryptic, full of insight and sorrow, full of wit and tenderness.  Before the Great Troubling offers a quirky, wise, and memorable picture of life in our shadow-filled century.”

Ann Fisher-Wirth, author of Carta Marina, A Poem in Three Parts

 

 

 I’ll Give You Something to Cry About

 

“I finished ‘I’ll Give You Something to Cry About’ which I’ve enjoyed immensely. I love books of short fictions. They’re like good fruit cakes – filled with sweet and spicy and nutty tidbits. But ‘The History of the Memphis 4-H Group’ was dazzling. Each entry suggests another story, another history. The names (and I appreciate a good name) are deeply satisfying. Where did all that come from? No, but seriously. Where did it come from? Because I’d like to go there myself and dip my pen in the inkwell!

Miles Gibson, author of Dancing with Mermaids and Hotel Plenti

 

GARDNER REMEMBERS: The Lost Tapes

 

“Mesler captures the flavor of the late 60s/early 70s Memphis music scene expertly, especially his evocation of the Shell as it was then.  I could almost hear Knowbody Else (later Black Oak, Arkansas) performing their creepy local FM hit, “Flying Horse of Louisiana,” there while I was reading Gardner Remembers.”  x

Ross Johnson, drummer for Panther Burns, Jim Dickinson, and Alex Chilton

 

 

Diddy-Wah-Diddy: A Beale Street Suite

 

“They say–they used to say–that anything can happen on Beale Street.  Here it does.”

Greil Marcus, author of Lipstick Traces and Mystery Train: Images of American in Rock and Roll Music 

 

 

“Corey Mesler writes riotous prose–fluid and lush and crazy. It’s verbally rich and witty–half literary, half hoodoo. Imagine James Joyce on Beale Street with Elvis. Or something like that. Wacky but poignant!”

Bobbie Ann Mason, author of The Girl in the Blue Beret and Shiloh and Other Stories

 

 

 

Our Locust Years

 

“Corey Mesler is a poet of intimacy and honesty with a gift for memorable lines and phrases such as “a chapel shaped like a farm” and “She entered my life / like a battered dresser, all / drawers open . . .” His poems are intimate, wistful, and often erotic. Though he does not go out of his way to establish settings and a sense of location, his poems are subtly and yet unmistakably evocative of the city where he lives, particularly of midtown Memphis. Everyone who owns a book or two by Peter Taylor, who loves the music of Booker T. and MGs and Jessie Winchester, will want to have Corey Mesler on their bookshelves.”

 

Richard Tillinghast, author of Today in the Cafe Trieste and The Stonecutter’s Hand.

 

 

 

Frank Comma and the Time-Slip

 

“An entertainment, Mesler’s short novel is half erotica, half fantasy, and half comedy. It’s for the reader to sort out the math.”

Joe Taylor, author of Masques for the Fields of Time, and The World’s Thinnest Fat Man

 

 

 

As a Child: Stories

 

“Having just finished reading Corey Mesler’s As a Child, I can’t think of anything I’d rather do right now than start reading it all over again.  The first time, I was smiling all the way through.  I felt like the guy in one story who self-medicates by eating a dime and finds his world transformed.  These are stories filled with wit and surprise, with heart-busting sadness and romping joy.”

Josephine Humphreys, author of Rich in Love and Nowhere Else on Earth

 

 

The Catastrophe of my Personality

 

“These new poems, much like his old poems, seem to have a pipeline to the archetypes.  Mesler repeatedly examines the flip-side of the coins laid over the eyes of pain and finds laughter.  It’s been so much fun knowing him so long and having some inkling—presumptuously I admit–of how he’s gotten here from there.   It’s an issue we can discuss for the rest of our lives.”

Steve Stern, author of the Jewish Book Award Winning, The Wedding Jester

 

 

 

The Sky Needs More Work

 

“Mesler’s is again a poetry manifesting, indeed, sustaining–the Memphis school. Wm. Carlos Williams and numerous others would find it substantial and elucidating of the all the contraries to the idealized lumpen life. The bottom falls away from it, the foundations, the bases, and one is put on notices to be aware of what lives live within the one we live. Merely by seeing in language. A poetry that does not need explaining, abjures it explicitly.”

Gordon Osing, author of Theaters of Skin, and La Belle Dame

 

 

Opaque Melodies that Would Bug Most People

 

In one of the poems in his new collection, Corey Mesler writes: The sky is the/color of Jean Gabin. It’s offbeat, but grounded, insightful and even beautiful—which pretty much describes the poems in this book. Mesler is a poet of the suburbs and the cities, one who moves through childhood to adulthood while deftly trying to comprehend what life is up to and is doing to him. And there’s much on the plate, from birth to death and everything in between, all chronicled with Mesler’s bright shafts of poetic brilliance. The longest poem in the book “Travelers” could be an anthem for a Generation and the Country itself. Opaque Melodies That Would Bug Most People will bug you with delight and a new, profound way of seeing the world.

Tim Suermondt, author of Just Beautiful and Trying to Help the Elephant Man Dance

 

 

 

Memphis Movie

 

“I have long suspected, because of my hubris, that I would discover the lost continent of Atlantis.  Little did I know that it would turn out to be a movie.  And what an amazing one, very unique and persuasive and strange and sometimes quite funny, written and directed by this original, clever, funny writer – who is now also a star.”
Ann Beattie , author of Chilly Scenes of Winter and The New Yorker Stories.

 

I’ve read any number of books about the movies. I’ve never before read one that I sent to my publisher who bought it faster than he bought mine. Corey Mesler is an undiscovered treasure. This book screams to be a movie. The role of Dan Yumont, the drug-addled priapic hero is waiting for a super-star with the balls to do it. Brad? Colin? Sean? Johnny? The characters are sharp, smart, and funny. I was sorry when I finished it. So I started it over again.”

  • Peter Coyote, star of T. and Northfork, and author of Sleeping Where I Fall

 

 

Robert Walker: A Novel

 

“Richly imagined, intense and vivid, Corey Mesler’s Robert Walker will take you down some byways you haven’t trod before.  Mesler writes with rare energy in this well-told tale.  A memorable novel.”

Steve Yarbrough, author of Visible Spirits and The Realm of Last Chances

 

 

Among the Mensans and Other Poems

“Direct, clipped, with never a syllable wasted, Corey Mesler’s poems in Among the Mensans reflect on expansive obsessions: love, loss, and the body’s perfect imperfections. This is a wonderfully large-hearted, bracing, candid, and ambitious collection by a writer whose searching intelligence lights every line.”

Lee Upton, author of Bottle the Bottles the Bottles the Bottles and The Tao of Humiliation: Stories

 

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One new poem

….here in Post-

https://revuepost.com/contranyms/

The Little Film that Could

Dear Kith and Kin,

Our little film, We Go On (written by me and directed by Matteo Servente), which won The Memphis Film Prize earlier this year, last night took first place in The Hometowner Shorts Competition at The Indie Memphis Festival. Thanks to all who have supported us. As we say, now, we go on.

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One new poem

…here at Rockvale Review:
http://rockvalereview.com/issue-1/issue-one-the-dark-clock-by-corey-mesler/